Cassius booking

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Cassius are a French duo whose real names are Phillipe Zdar and Hubert Blanc-Francart. Together
they have recorded as Boombass and La Funk Mob, releasing singles on the ultra-hip French label,
Source. If your less cool friends haven’t heard of ‘em yet, you could name-drop these lot: Neneh
Cherry, Björk, Daft Punk, Air and Depeche Mode; as they’ve done remixes for all of them. The French
invasion continues…
Boombass grew up on the west side of Paris. His father was a top Parisian record producer, so it was
natural Hubert would want to follow in his footsteps. “I started making music when I was 13,” he
shrugs. “But it was crap. So I quit” He got a job as a teaboy at a recording studio. By 1991 he had
become a producer, was known as Boombass, and was working on MC Solaar’s first album. Philippe
grew up in the Alps, where he still returns every year to ski (“but not snowboarding,” he states
emphatically.) he landed a job assisting Hubert’s father and studied to become a studio engineer. He
met Boombass in 1988. The pair were both obsessed with hip hop, disgracefully fashion conscious
and both fascinated by cool American films. A ten year friendship was struck. Phillippe became
Hubert’s engineer and a couple of years later they were production partners. The music they both
started with was, of course, hip hop. Hip hop was both the catalyst that turned the teenage Hubert and
Philippe away from elder brother stuff like The Police and the musical bond that brought them
together. “We were into music before,” they say, “but it wasn’t our music. Hip hop was ours, it wasn’t
our parents’ records.”
In between producing three hugely successful French albums for MC Solaar, including the minor UK
hit “Bouge De La”, they developed the abstract, proto trip-hop grooves of La Funk Mob. By 1994 they
were busy breaking boundaries and messing up heads with La Funk Mob’s seminal hip
hop/funk/electro/weirdo-freak-out EP “Ravers Suck Our Sound”. Meanwhile Philippe had discovered a
new obsession, House music, and the last piece of the Cassius puzzle was falling into place. “In 1992
I went to a rave” he enthuses, “from then on I loved techno.”
Philippe had found an outlet for his new passion recording as Motorbass with Paris DJ Etienne de
Crecy, the man behind 1997′s Superdiscount. Together their Pansoul album remains one of the
benchmarks of French house music’s dynamic first wave, along with Daft Punk’s Homework and
Dimitri From Paris’ Sacrebleu. Philippe talked Hubert into making a house track as a laugh. The result
was “Foxy Lady” by L’Homme Qui Valait Trois Millards (The Six Million Dollar Man). The resultant slice
of squelchy tech-disco became a standard for ever DJ from Andy Weatherall to Harvey. Hubert started
to realize house music wasn’t so bad after all. Cassius was born. “What we really like,” say Cassius,
“is heavy bass. We listen to Daft Punk, DJ Sneak, Tuff Jam, Masters At Work, 2-step speed garage,
DJ Premier, Timbaland, Drum ‘n’ Bass. You might not hear it on the record, but it’s all there.”
Cassius are both French dance music’s missing link and it’s old skool originators. The sound that
combines the pop appeal, the heavyweight underground groove and the sheer brilliance of Air, Daft
Punk and Dimitri. Their album 1999 is well-named – because that year will belong to Cassius. Believe

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